All posts by bakern

Desmond Bagley

Flyaway (1978) & Bahama Crisis (1980)

Bagley

 

As a teenager, I went from Enid Blyton to the thriller writers of the era – Hammond Innes, Wilbur Smith, Alistair MacLean and Desmond Bagley. Re-reading these books as an adult reveals that I still enjoy the stories. The writing is tight and the plot moves with a good pace. Overall the story is structured to ramp up in intensity to a single final climax. Modern writers try to do lots of action/violence throughout the story. But these books are still good reads, thirty years after initial publication.

http://www.desmondbagley.co.uk/

 

CD2

Artwork done for a CD cover and interface.
The ‘CD2 ‘ circle was taken from a quarter image of a shield, flipped and copied to make a circle. The text was done using photoshop plugins and the result pasted on an image from fantasy illustrator  Chris Achilleos.

CD2

 

Lexx 2.7-9

Lexx_Logo

Lexx 2.7 – Love Grows
The episode follows a crew of sleazy space miners – two men and one large woman – who contract a gender-changing and ultimately fatal virus which they then unwittingly share with the crew of the Lexx. While the disease does not affect the external appearance, it changes the genitals and the voice and works on the mind, making men extremely demure and making women into voracious sexual predators. In this episode Stanley Tweedle finally fulfills his dream of having sex with his crewmate Xev Bellringer, although it is arguably more of a rape and during the encounter their genders are reversed.

The setup has potential, but once everyone is on the Lexx, it descends into a very badly written and directed 1960’s soft-core porn parody. This is the worst episode so far. (1/5)

Lexx 2.8 – White Trash
The Golleans, a family of incestuous cannibal rednecks, has stowed away on the Lexx. After a night of passion with Sissy Gollean, Stanley Tweedle is caught by the jealous Pa Gollean, who plans to kill Stan until Sissy convinces him to let them get married instead. Pa agrees, and then forces Stan to steer the ship to his home planet Vermal so Pa can get revenge on the remaining inhabitants. Whilst on the planet Kai helps Pa’s adopted son Norb escape his unpleasant parents on his real father’s space ship – The Charger.

Just when I thought they had reached the bottom, comes this rubbish every-bad-stereotype hick story. The only character of interest is the young boy who escapes the planet before Lexx destroys it. (1/5)

Lexx 2.9 – 791
The crew of the Lexx get a distress signal from a crashed ship on an uninhabited planet. Stanley Tweedle refuses to go down to investigate, but Lyekka insists that she needs food, and if she doesn’t get it she’ll be forced to eat the crew. Lyekka plans to eat any survivors down on the surface, but Xev understandably has some moral qualms about this. Once inside the crashed ship, they find jars containing still-beating hearts and 790 finds a cyborg body with which he hopes to finally consummate his love of Xev.

Despite the rip-off of the 1979 space horror-thriller “Alien”, this actually works. There is sufficient tension, plot twists and atmosphere for a good episode. Finally Stan gets to assert himself and take a positive single action. (4/5)

 

Time For Tea

Time For Tea
by 11 Acorn Lane (2015)

Infectious pop, jazz, funk.
Nobody combines them like this band.
The best song is ‘Lets Face it I’m Cute”
with lyrics worth repeating…….

Let’s face it
Let’s face it
Let’s face it
Let’s face it
Let’s come to terms
And embrace it
Concur admit concede and face it

I’m cute
Cute, cute, cute
I’m cute
Cute, cute, cute

Let’s embrace it
And come to terms
There you have it
I’m cute

Lexx 2.5 & 2.6

Lexx_Logo

 

Lexx 2.5 – Lafftrak (Jan 8, 1999)
Two planets, Liber and Leester, long ago destroyed each other in a ratings war. The crew discover a small, automated planetoid that is still producing TV programs. Stan is captured on the planet and forced to take part in various shows, and when he consistently fails to amuse the macabre audience he is demoted to increasingly less dignified positions. Eventually, it is discovered that when contestants fail, they are decapitated and their heads are kept alive to be part of the studio audience for all eternity.

The setup battle is a fun homage to a pulp space adventure. When Stan, 790 and Xev get to partake in old TV shows, the humour feels very forced and not funny. But ultimately it’s the predictable Kai that comes to save everyone (3/5)

 

Lexx 2.6 – Stan’s Trial (Jan 15, 1999)
Stan needs release and returns to an old haunt for pleasure; another space brothel. Unbeknownst to him and the crew however the Reform Planets have been searching for Stanley, whom they call “the Arch-Traitor”, to put him on trial for the destruction of 100 worlds hostile to His Divine Shadow. The trial seems to be legitimate but the chief prosecutor has her own secret intentions: wanting to torture and execute Stanley.

At last, a show with actual themes that hint at what Star Trek could do with ease. The court scenes are predictable,  but the ending makes up for short-comings. (4/5)

 

Lexx 2.3 & 2.4

Lexx_Logo

Lexx 2.3 – Lyekka
The plant-based organism called Lyekka arrives on the Lexx and uses Stanley’s dream image of a high school sweetheart to take form. At the same time, 3 astronauts from the planet Potataho run into the Lexx. Lyekka begins to eat them one at a time, allowing them to live out their wildest fantasies before consuming them. After accidentally destroying the astronaut’s spaceship Stan offers to take them back to their planet, only to find it destroyed by Drone Arms. First appearance of Xev.

Lexx 2.4 – Luvliner
The crew travel to a space brothel, Luvliner. Negotiations break down when Schlemmi, who manages the brothel and has a fetish for robot heads, finds out that the crew has no money. After a little coercion they are allowed in free of charge, only for Schlemmi to call in a bounty hunter and attempt to take over the Lexx for himself.

 

Lexx 2.1 & 2.2

 

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Lexx 2.1 – Mantrid  (Dec 11, 1998)
Kai, possessed by His Divine Shadow, leads the crew back to the Light Zone to retrieve an insect larva from the remains of the cluster. The crew then goes to meet Mantrid, former Supreme Biovizier for The Divine Order, in order to convince him to extract protoblood from the insect larva. The ageing Mantrid plans to use the insect’s transference organ to transfer himself into a new machine body. Mantrid’s besotted assistant transfers Mantrid’s essence from his dying body to the machine body. The crew flees to Lexx and attempts to destroy it, but Mantrid’s machine escapes.

Lexx 2.2 – Terminal
Kai is awoken incorrectly, and punctures Stan’s heart. After transferring the Key to Zev, they seek assistance at the MedStat, a large medical space hospital. The threat of the Lexx’s power encourages the medical staff to help, but it emerges that they wish to take the Lexx and use it for their own ends. This is the last episode to feature Zev.

Kaiju

Jeremy Robinson’s Kaiju Series

I came across the first book in this series via the Storybook Bundle.
This is the story of giant monsters (Kaiju) that emerge from Earth’s history and reign havoc across the globe. After the first book, more emerge and the real battle begins. Told in first person from the point of view of John Hudson, these combine horror, adventure and science fiction in an enjoyable and thrilling ride.

For me, the visuals were provided from the film ‘Pacific Rim’ (2013)

Project_nemesis_poster_by_kaijusamurai-d5w90j4

(From Wikipedia)
Kaijū (from Japanese “strange beast”) is a film genre that features monsters, usually attacking a major Japanese city or engaging other monsters in battle. It is a subgenre of tokusatsu (special effects-based) entertainment.

Related terms include kaijū eiga (monster movie), a film featuring giant monsters or a single monster; kaijin (referring to roughly humanoid monsters); and daikaiju (giant kaiju), specifically meaning the larger variety of monsters.

Godzilla is an example of a daikaiju; others include Gamera, Mothra, Rodan, King Ghidorah, Mechagodzilla and Daimajin. The term ultra-kaiju is longhand for kaiju in the Ultra Series.

Toho has produced a variety of Kaiju films over the years (many that featured Godzilla and Mothra) but other Japanese studios contributed to expanding the genre in Japan by producing Kaiju films and shows of their own, studios including Daiei Film Co., Ltd., Kadokawa Pictures, Tsuburaya Productions, Shochiku, and Nikkatsu studios.

  1. Project Nemesis (Kaiju #1)

Jon Hudson, lead investigator for the Department of Homeland Security’s Fusion Center-P, thinks his job is a joke. While other Fusion Centers focus on thwarting terrorist activity, Hudson’s division is tasked with handling paranormal threats to national security, of which there have been zero during his years at the DHS. When yet another Sasquatch sighting leads to a research facility disguised as an abandoned Nike missile site in the back woods of Maine, Hudson’s job becomes deadly serious.

Hudson and the local Sherriff, Ashley Collins, suddenly find themselves on the run from a ruthless ex-Special Forces security team, but the human threat is short-lived as something very much not-human destroys the facility and heads for civilization, leaving only a single clue behind–a name scrawled in blood: Nemesis. Working with his team at Fusion Center-P, Sherriff Collins and a surly helicopter pilot named Woodstock, Hudson pursues the creature known as Nemesis, attempts to uncover the corporate secrets behind its creation and accidental release and tries to comprehend why several clues lead to a murdered little girl named Maigo.
But as the body-count explodes, along with the monster’s size, it quickly becomes clear that nothing short of a full military response can slow Nemesis’s progress. Coordinating with every branch of the U.S. military, Hudson simultaneously searches for clues about Nemesis’s origins and motivations, and leads the counterattack that will hopefully stop the monster before it reaches Boston and its one million residents.

2. Project Maigo (Kaiju #2)

Jon Hudson, head of the Department of Homeland Security’s Fusion Center – Paranormal division, is haunted by Nemesis, a three-hundred-foot tall monster. Hudson has helped prepare the United States against future attacks. But no one is prepared for what rises from the depths.

3. Project 731 (Kaiju #3)


In the wake of a Kaiju assault that leaves cities in ruins, Jon Hudson, director of the Department of Homeland Security’s Fusion Center – Paranormal, is preparing his team for an uncertain future. While hiding Lilly, a chimera cat-girl rescued from Island 731 a black ops organization within DARPA, Hudson attempts to raise an orphaned girl. But the two strange girls can’t be protected from what comes next.

4. Raising the Past (Origins #2)

At the end of the previous book, the author mentions that this is the origins storyfor the next episode, so I read this next.
A mammoth, flash frozen in solid ice 10,000 years ago is brought to the surface by a team of scientists.
An act of sabotage frees the giant from its icy tomb and reveals the secret held inside. The body of an ancient woman, cloaked in furs, slides out of the mammoth’s belly. But it is not the woman that holds the team’s attention…it is the object she is clutching…a device created by an advanced civilization. THE HUNT IS ON. . . The device is accidentally activated, summoning forces who seek its destruction. It is the key to mankind’s salvation and freedom from the men behind the curtain, pulling the strings and leading humanity towards destruction.

5. Project Hyperion (Kaiju #4)

Back to the main story arc.
Jon Hudson has become more than just the director of the Department of Homeland Security’s Fusion Center–Paranormal. He is now a husband and a father, surrounded by a team who have become a family. So when a series of strange new threats rise from the depths and fall from the sky, the stakes are higher than ever.

6. Island 731 (Kaiju 0)
Next comes the prequel to the series, where it all began.

Mark Hawkins, former park ranger and expert tracker, is out of his element, working on board the Magellan, a research vessel studying the Great Pacific Garbage Patch. But his work is interrupted when, surrounded by thirty miles of refuse, the ship and its high tech systems are plagued by a series of strange malfunctions and the crew is battered by a raging storm.

When the storm fades and the sun rises, the beaten crew awakens to find themselves anchored in the protective cove of a tropical island… and no one knows how they got there. Even worse, the ship has been sabotaged, two crewman are dead and a third is missing. Hawkins spots signs of the missing man on shore and leads a small team to bring him back. But they quickly discover evidence of a brutal history left behind by the Island’s former occupants.